Bodhgayā (बोधगया), Bihār. Inscription (INBG0001) on the narrow edges of the upper surface of a sandstone slab, the so-called vajrasāna  (OBBG0001). Edition here that of Balogh in De Simone et al. (2020), see Concordance for bibliographic data.

 

Metadata
Inscription ID INBG0001
Title Bodhgaya vajrasana inscription on stone slab
Alternative titles Bodhgayā (बोधगया), Bihār. Vajrāsana inscription on stone slab
Parent Object OBBG0001
Related Inscriptions INBG00016
Responsibility
Author Dániel Balogh
Print edition recorded by Daniela De Simone
Source encoded
Digitally edited by Daniela De Simone
Edition improved by
Authority for De Simone, D., Balogh, D., and Bretfeld (2020). 'The āsana: where the Buddha sat', in G. Hidas, S. van Schaik, D. De Simone, and M. Willis (eds.) Precious Treasures from the Diamond Throne: Finds from the Site of the Buddha’s Enlightenment (London: British Museum Press, 2020).
Metadata recorded by Daniela De Simone
Authority for metadata De Simone, D., Balogh, D., and Bretfeld (2020). 'The āsana: where the Buddha sat', in G. Hidas, S. van Schaik, D. De Simone, and M. Willis (eds.) Precious Treasures from the Diamond Throne: Finds from the Site of the Buddha’s Enlightenment. London: The British Museum Press (in press).
Metadata improved by
Authoriy for improved
Language Prakrit
Reigning monarch
Commissioner
Topic vajrāsana
Date:
Min 0
Max 100
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Letter size
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Description Inscribed along the edges of the stone slab.
Decoration
Bibliography
References Cunningham, A. (1892). Mahâbodhi or the Great Buddhist Temple under the Bodhi Tree at Buddha-Gaya. London: W.H. Allen & Co., pp. 20, 58, pl. X 11. Lüders, H. (1912). A List of Brāhmi Inscriptions from the Earliest Times to about A.D. 400 with exceptions of those of Asoka. Epigraphia Indica 1909-10, vol. X, p. 97, n. 948. Barua, B. (1934). Gayā and Buddha-Gayā, vol. II. Calcutta: Indian Research Institute, p. 65. Tsukamoto, K. (1996). A comprehensive Study of the Indian Buddhist Inscriptions, part I. Kyoto: Heirakuji-shoten, p. 136, Bodh-Gayā 1. De Simone, D., Balogh, D., and Bretfeld, S. (2020). 'The āsana: where the Buddha sat', in G. Hidas, S. van Schaik, D. De Simone, and M. Willis (eds.) Precious Treasures from the Diamond Throne: Finds from the Site of the Buddha’s Enlightenment. London: The British Museum Press (in press).
Add to bibliography For a discussion of the stone slab see: Gupta, S.P. (1980). The Roots of Indian Art: A Detailed of the Formative (Mauryan and later Mauryan) Period of Indian Art, 300 B.C.–200 B.C. Delhi: B. R. Publishing Corporation. Asher, F. M. (1980). The Art of Eastern India, 300-800. Minneapolis: The University of Minnesota Press, p. 27. Huntington, S.L. with J.C. Huntington (1985). The Art of Ancient India: Buddhist, Hindu, Jain. New York: Weatherhill, pp. 50-51. Falk, H. (2006). Aśokan Sites and Artefacts: A Source-book with Bibliography. Mainz am Rheim: Verlag Philipp von Zabern, pp. 284-286. Willis, M. (2016). ‘Bodhgayā: from tree to temple’, in: Modes of Representing Sacred Sites in East Asian Buddhist Art. Kyoto: The Institute for Research in Humanities. De Simone, D., Balogh, D., and Bretfeld (2020). 'The āsana: where the Buddha sat', in G. Hidas, S. van Schaik, D. De Simone, and M. Willis (eds.) Precious Treasures from the Diamond Throne: Finds from the Site of the Buddha’s Enlightenment. London: The British Museum Press (in press). For a discussion of the term vajrāsana see: De Simone, D., Balogh, D., and Bretfeld, S. (2020). 'The āsana: where the Buddha sat', in G. Hidas, S. van Schaik, D. De Simone, and M. Willis (eds.) Precious Treasures from the Diamond Throne: Finds from the Site of the Buddha’s Enlightenment. London: The British Museum Press (in press).
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